The work emerges from a long-term engagement with painting as a material discipline. Each piece is formed through repeated attention to surface, gesture, and structure, allowing intuition and revision to operate without urgency.

The studio is a site of continuity rather than output. Paintings are not conceived as singular statements, but as part of an ongoing body of work, shaped through recurrence, variation, and restraint.

Color functions as both presence and resistance. Form asserts itself without illustration. What accumulates is not narrative, but decision held, reconsidered, and carried forward.

The practice is grounded in looking, returning, and editing. Novelty is not pursued. Depth is allowed to take time.